Anyway, the writer, producer and star of Leonard Part 6, was
Bill Cosby who, in the 80’s, was a global superstar. He could do no wrong and was one of the
highest paid and most respected comedians / actors of the time. ‘Therefore we’re in safe hands aren’t we
Colin?’, I hear you cry, alas dear reader, I am afraid no, no we’re not.
You see I’ve already fallen into that trap. ‘A movie directed by Guy Ritchie? Why’s this
on our list?’ I thought before watching the awful ‘Swept Away’ and quickly
realising why it’s on the list and questioning why it wasn’t higher. Or ‘Bruce Willis? Wow, we are really in for a
treat’, I thought before embarking on the long boring journey of ‘North’,
(actually, I should have realised after ‘Last Boy Scout’ that the name Willis
does not guarantee a quality movie, but I thought he deserved a second chance).
So the fact that Bill Cosby was behind our next movie, did
not fill me with confidence. Even when I
considered the fact that it was made at the height of Cosby’s epic career, I
still had a sense of dread. But being
the little troopers Wes and I are, we watched the movie, (so you don’t have to).
Leonard Parker, (Bill Cosby), is a retired secret agent and
we begin the story with his butler, Frayn, (Tom Courtenay), explaining why
there are no Leonards parts 1 thru 5.
Apparently, the first 1-5 stories had to be destroyed for the sake of
national security. Ha ha ha ha ha ha ha
ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
ha, *pisses self* hilarious!
After I changed my trousers, I carried on with this piece of
comedy gold.
The start of the movie, begins with the end in which we see
Bill Cosby riding an Osterich, (not like that), whilst all hell is breaking
lose around him with big explosions and stuff.
Frayn tells us this is the end and he’ll now explain how Leonard got to
this point. I guess this is to whet our
appetite and interest in the movie, but frankly I couldn’t give a flying ostrich
what happens next.
The plot, (thinner than an Asda Dustbin liner, but a plot
nevertheless), revolves around evil vegetarian Medusa Johnson, (Gloria Foster), who
is reprogramming animals to kill humans.
She begins her evil plot by assinating 2 secret service agents, 1 by
rainbow trout, the other death by frogs.
The CIA are obviously a bit angry at their agents being killed in stupid
ways, (whatever happened to the good old days of death by poisoned tipped
umbrella), and convince Leonard to come out of retirement to bring Medusa and her evil, (stupid), plans down.
Leonard sets about the task by firstly dressing up as an
idiot as he puts on his costume of an astrounaut suit and a cycling helmet,
(?). He then arms himself with the most
advanced gadgets of the time: mini missiles, a car with a tank turret and the
world’s smallest camera, (which is about the size of house brick). James Bond?
More like James Corden.
Crap outfit and gadgets in hand, he goes to evil Veggies HQ
where a rather long and unfunny scene of Leonard trying to break into the HQ,
bring down Medusa and ultimately failing ensues. 1 particular part of this unfunny scene
involves a swarm of bees being held in a lab and Leonard pulling his own bee,
(behave yourselves), out of his spacesuit and somehow Leonard’s bee breaks them
out of the lab and all the bees flee!
Tee-hee? No wee,(way, alright
that last bit didn’t work!)!
After this failure, Leonard then takes us on his back story,
(yippee!), which is basically a long drawn out episode of The Cosby Show.
Leonard’s daughter, Joan Parker, (Victoria Rowell), has just
started to date a man who is older than Leonard and he is not best pleased, (original),
and Leonard’s wife, Allison Parker, (Pat Colbert), has left him after she caught
him sharing a sauna with a 19 year old, (man, woman or horse, I’m not
sure). Leonard desperately wants his
estranged wife back and invites her to dinner.
In doing so, he also invites us to a very long boring and unfunny scene in which Allison, ends up pouring soup all over Leonard.
Leonard obviously loves them both and when Joan appears starkers in a play she is starring in, he goes bonkers
dolally. When Leonard’s wife then gets
kidnapped by Medusa, he moves up a notch to pretty darn
miffed and sets about to rescue her and to defeat Medusa once and for
all.
And so the end battle ensues which sees Leonard fight his
way through veggie HQ, armed only with various meat products, (eh?). He defeats the hench men with beef patties
and the main baddies with hot dogs.
The hot dogs, for some reason, when shoved into the big veggie gobs of
the baddies, causes their heads to explode!
With all hell breaking lose and explosions caused by
mechanically recovered meat, (yum!), Leonard makes his escape on an Ostrich
which he has liberated, (Ah, that explains it!) and so we come full circle.
The film ends with Leonard and Allison together again
at last and sharing a tasty meal. Then,
and I’m struggling to type this as it is soooo hilarious, Allison serves
soup but even though they are back together again, she pours it over his
head. Ha ha ha ha ha it’s funny because
she did it earlier!
And so ends another truly unfunny movie in our list. So what went wrong? How on earth did Bill Cosby, at the height of
his super stardom, manage to produce such a stench?
Well, firstly there’s the character of Leonard himself. As the hero of the story, I assume that we
are meant to like him, will him to succeed and cheer him on as he defeats the
bad guys and gets his wife back; but not once did I feel the need to do
so. This is mainly due to the fact that Leonard comes across as arrogant, cold and obnoxious. This, off course, is completely Cosby’s
fault.
This project is Cosby’s baby and Cosby’s alone. He created Leonard and then played him, so he
had ‘carte blanche’ over his portrayal.
If his notes for this character were, ‘appear sweaty, tired and bored
throughout’, then I apologise as he got it spot on. If his aim was to produce a lovable character
whose down on his luck and with whom the audience will empathise with, then he got it
hopelessly wrong.
The plot is thin, confusing and muddled. The main story is just ludicrous and I still
don’t really get what Medusa’s beef with the world really is, (see what
I did there?). The back story is just
sugar coated boredom and does nothing for Leonard’s character. It does not provide an interesting backdrop
to the main plot and quite frankly I could not care less what happens to his
family. I’ve been more interested into
the future and wellbeing of potato peelings.
The part which should be Cosby’s strong point, but is the
movie’s weak point is the comedy. Yet
again this is another comedy movie on our list which is just not funny. The main problem, I think, is that Cosby has
tried to change his style. Gone is the
family based situation comedy humour and in its place is surrealism and
randomness. Unfortunatley for Cosby it
does not work.
Surrealism is difficult because the audience will either
get it, or miss the point, find it funny or just find it plain weird. I’ve spoken before about how unfunny Monty
Python’s last season was and they were the kings of surrealism, (or at least on
an equal footing to The Goons). That
last season’s only difference was that John Cleese had left the team, but
otherwise the formula was still there, the bizarre was still there, the
cartoons, the rest of the cast, but for some reason it just did not work.
For Leonard also, it doesn't work. Beef pattie fights? Escaping on an ostrich? A ballet fight scene? They are not funny and give the movie a
weird, disjointed feeling and all too often you end up staring at the screen
thinking, ‘what’s all that about?’.
In fact you spend the whole movie thinking, ‘what’s all that
about’, and this is because the movie does not really know itself. Is it a children’s movie? No. Is
it an espionage thriller? No. Is it a comedy? Most definitely no. And this really is a problem and I believe if
Cosby had worked out what on earth he was trying to produce, then this could
have been so much better.
For me, this should have been a children’s comedy
movie. As Lenoard’s costume and gadgets
are made up from bits and pieces you’ll find around the house and as the ‘comedy’
is childish, I think Leonard should have been re-cast as a kid or a bunch of
kids. It could have been a sort of espionage
‘Bugsy Malone’ and there could even have been a ‘is this real or just their
imagination’ element to it.
Unfortuantely nothing as clever or as funny as this was
produced. Cosby could do no wrong in the
80’s but that seems to be largely because he surrounded himself with yes men,
who, dared not criticize him or his ideas.
Someone should have said ‘No!’ and made Cosby listen. As it turned out, the penny did drop for
Cosby that this movie was no good, but unfortunately only after it had been made.
Cosby did disown the movie and did urge people not to waste
their money going to the cinema to watch it.
For this, I respect Cosby and fortunately for him his legacy goes way
beyond this stinker of a movie and he will rightly be remembered as one of the
most successful comedians and writers of a generation.
So whilst Cosby's warning and honesty is refreshing and welcomed, I only wish Cosby had gone one step further and did the same
thing with Leonard Part 6 as had happened with parts 1 thru 5!
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